I believe that a limerick is a delightful way to celebrate someone’s life, which is why I advocate writing birthday limericks. Last week, a dear friend passed away. He was a kind, gentle soul with a great sense of humor. I think he would have liked a memorial limerick, so I wrote him one:
I’m not one to spend much time in prayer,
But the rules of this life seem unfair.
So, does God grant forbearance?
If he does, please send Clarence
Back down — we need time to prepare!
The good fellow Tara calls “Dad,”
Said, “Room service here is so bad,
“I asked for a steak,
“They gave me an ache!”
A good time by all was not had.
I always joke about the fact that there are only two people reading this website. This limerick is dedicated to one of them, and the postscript is here so the other one will get the joke!
Clarence is currently having a spot of bother at a hospital in Columbus, Ohio. I hope he gets well soon, so he can outrun the nurses. I bet I know who will be driving his getaway car…
Writing a birthday limerick is simple and doesn’t take a lot of time. In this age of conspicuous consumption, a simple birthday limerick is a great way to celebrate someone special without bringing more styrofoam, wrapping paper, and unwanted aftershave into the world.
I have chanced on a great birthday present,
Not expensive champagne, duck, or pheasant,
But a lim’rick — some humor
To dispel the old rumor,
That a birthday is not something pleasant.
In order to make the limerick special, it needs to be about the person, not a generic 30th- or 40th-birthday limerick. For me, that requires a little brainstorming session. I do this best when insomnia strikes in the middle of the night. If the person’s birthday is imminent and you don’t have insomnia, a couple of beers can lubricate the rhyming process.
The brainstorming simply involves thinking about the person and anything related to him or her that’s easy to rhyme. Is the person’s name easy to rhyme? I have both a sister and a sister-in-law named Julie, and I haven’t been able to do much with “Bernoulli” or “patchoulli.” So I’ll have to use other techniques, as you’ll see below. However, some names are easy, such as “Kate” or “Barry.”
There once was a lady named Kate,
Whose birthday was on this fine date,
She wanted a cake,
But her friends could not bake,
So her candles just sat on a plate.
Now, there once was a pirate named Barry,
Who is frozen and quite stationary,
He’s unable to fight,
What is looming in sight,
Turning forty for him is reeeeeeal scary.
If the person’s name is not easy to rhyme, think about his or her relationship to you — what rhymes with “sister,” or “son?” When I needed to write a birthday limerick for my father, I found no good rhymes for “Henry,” but dozens for “Dad”:
There’s a guy who I proudly call Dad,
And a mighty fine birthday he had.
To make such a great man, it
Takes years on this planet.
But I won’t tell his age (he’d get mad).
Another good theme to get the rhyming started is the person’s age. Ages ending is “seven” are bad to rhyme, because you’re limited to “heaven” and “eleven.” But you can talk about the fact that he or she is no longer thirty-six, which rhymes with plenty of words — flicks, picks, tricks, mix.
Here’s one I wrote for a reader with two young children who wanted help with the invitation to their combined birthday party. The nice thing about this one is that it’s flexible, and you can change it to suit different children. You could replace the names, change the month, even replace “cookout” with “party,” and it would still work:
Our Seth is about to turn two,
And Rachel’s soon four, it is true,
We’ve written this rhyme,
‘Cause October’s the time,
For a big birthday cookout with you!
You can be even more creative, branching out and thinking about the subject’s home town, home state, occupation, or hobbies.
Here’s one about my brother-in-law, Ed, an ultra-marathon runner. Every year, on his birthday, he runs the same number of miles as his age:
The number of miles he would run
Last year was a mere fifty-one.
But now, fifty-two?
That much harder to do —
Old age does not make it more fun.
Current events or something funny that happened to the person can also inspire a good limerick. I once had a friend who moved from the bug-free Pacific Northwest to New Orleans. That year, he gave me plenty of subject matter:
While taking a drink in the shade,
Dear Brian enjoys Gatorade.
But taking a swig,
Found a live roach THIS BIG,
Now he’s mixing his cocktails with Raid.
Once I come up with an inspiring word or phrase for the person, I usually start going through the alphabet, looking for words that rhyme with it. There are also lots of good rhyming dictionaries on the internet, where you can type in a word, and all the rhymes come back. I use Rhymezone, which organizes the choices by syllables. If I’m having trouble coming up with good rhymes, I can also check Rhymezone for synonyms. That often breaks through the rhymer’s block.
There are a couple of tricks you can do to come up with even more rhymes for a given word. One is to contract the word:
For your limerick, you’ll need at least two sets of rhymes — one with three words and one with two words. If you have more than that, you may be inspired to write several stanzas.
Now you’re ready to construct the birthday limerick. If you’ve written limericks before, or if you feel comfortable mimicking the ones you’ve read, go for it — but when you’re done, there is one crucial step you should not skip.
Write or print your limerick and hand it to someone else to read out loud. That will immediately identify any problems with the rhyme and meter. This is an important step for a birthday limerick, because birthday limericks are always read out loud, either at large parties or just repeated many, many times.
If you’re new to this limerick business, or you want to hone your skills further, keep reading for some tips on structure and meter.
The structure of a limerick is five lines, A-A-B-B-A. That means that the first two lines rhyme with each other and with the fifth line. The third and fourth lines rhyme with each other:
A – Now my big sister Daisy’s a dear,
A – And I wrote of her birthday last year.
B – But another year’s passed,
B – And it happened so fast,
A – That she’s now one year older, I fear.
One of the biggest challenges to limerick-writers, new and experienced, is getting the meter right. A proper limerick has anapest meter, which means lines one, two, and five are stressed like this:
da-da-DUM da-da-DUM da-da-DUM
And lines three and four are shorter, but still have the same kind of meter:
da-da-DUM da-da-DUM
You can modify this a little, starting a line with da-DUM and ending it with da-da-DUM-da. But don’t make changes other than that, or it won’t flow properly, as this example attests:
No, it’s really not that hard to rhyme,
And it just takes a whole lot of time.
But the meter’s the thing
To make every piece sing,
And limerick-writers like me consider lousy meter a terrible crime.
The trick to making a good limerick great is to make it funny. Humor is the hallmark of a great birthday limerick, and you have a chance to gently poke fun at the birthday person. It’s always nice to throw in a little surprise in the last line, as I did in this 40th birthday limerick:
So by 40, your hair’s turning gray,
And gravity holds you in sway.
You must stand on your head
When you get out of bed,
Just to keep nasty wrinkles at bay.
But the truth is, you’re not really old!
You are vibrant and youthful and bold.
You can still climb a tree,
You’re vivacious and free —
Now just eat these stewed prunes, as you’re told.
Margret “Meps” Schulte has always had a soft spot for silly rhymes, her favorite poetry book being the Norton Anthology of Light Verse. In 2002, she was inspired to publish her first limerick on the Web when she noticed that her friend Brian’s name sort-of-rhymed with the name of his new boat, Cayenne. Since then, she has written well over 200 limericks about her travels, current events, friends, and anything else that strikes her fancy. Meps has also submitted about two dozen limericks to the Omnificent English Dictionary In Limerick Form, or OEDILF, giving her the dubious title of “Contributing Editor.”
When I take the commuter bus to Seattle from Stanwood, I literally catch it at the end of the line. It is the longest bus route; anything longer would require Greyhound. And the stop I use is at the most desolate, isolated, lonely park-and-ride lot I have ever seen.
Waiting for the bus in December and January was cold, damp, dark, and surreal. A single streetlight did little to dispel the gloom, and across the road, there was only a bleak, empty farmer’s field.
At 6:25 am, I huddled at the bus shelter, my teeth chattering from the unstoppable wind. I wished I had a car to wait in, like that other lady. She was sitting in the driver’s seat, using the rear-view mirror to apply her makeup.
When she got out and joined me, she was friendly and chatty.
“I hope the river doesn’t flood today!” she said, cheerfully.
On the other side of the bleak farm field was the Stillaguamish river, known locally as the Stilly. I knew there was a flood watch in effect, but I didn’t realize it applied to the bus stop.
“At least, I hope I don’t come back and find my car under water,” she added.
I’d originally been a bit jealous when I noticed her sitting in her warm, toasty car. But now I felt a bit smug — after all, my car was safely back at home with Barry. I’d heard that cars at this lot were often broken into, but I didn’t realize they might flood as well. I began to wonder about this woman, whose choice to ride the bus meant not only hassle, but serious risk to her personal property.
I saw her whenever I rode the bus, and each time, I became a little less reticent. Her presence made the bus stop seem less surreal. We’d have a brief conversation, but when the bus came, I went to the back. As the first person aboard, she always sat in the front row.
I took about a month off, and when I returned to the bus stop, the days had lengthened. It was light enough that I could actually see her, a middle-aged lady, nicely dressed in a leather coat and low-heeled pumps.
“Hello!” she said. “You haven’t been riding the bus lately.”
I was surprised that she remembered me. “We went down to stay in Seattle for a bit,” I admitted, “and next week, we’re going to start house-sitting in Fremont for nine weeks. I can’t wait to live in town again, in the Center of the Universe. This commute is awful, and I only do it one day a week.” I smiled at her, sympathetically. I was fairly certain she did the grueling bus ride five days a week.
“Oh, I know what you mean,” she replied. “I used to live in Greenwood, and I really loved it, being right in town, where you can get to everything.”
I wondered, out loud, how she ended up out here at the end of the bus line.
“We were raising kids, you know, and so we moved to Mill Creek.”
It made sense, a logical step. I could imagine a couple living in Seattle with a couple of kids. They might have concerns about city schools, might want a bigger house. So they’d move to the suburbs, to a place where you can get a big new house on a big lot for not very much money. Mill Creek is like that, with reasonably good schools and lots of conveniences, if you don’t mind driving everywhere. To me, it’s sub-urban, but a lot of people like that kind of lifestyle.
“After we were about done with the kids, my in-laws offered us their place on Camano Island,” she continued. “They said we could have it for pretty much what they paid for it, 25 years ago.”
It sounded like too good a deal to pass up. Except that it had another price.
“My mother-in-law loves the place. She hated to leave it, and she wanted to write something into the contract to say that if we ever sold it, they would have first rights to buy it back at the price we paid them for it.” She laughed. “My friend, who’s a lawyer, told her that was ridiculous, that once they sold the house, they couldn’t say what was to be done with it.”
Perhaps, from a legal perspective, that’s true. But not from a family perspective.
Moving into her mother-in-law’s dream home was a trap. She never said so outright, but I could tell. To sell the home would be unthinkable; they don’t dare upset the family: As long as her in-laws are alive, she cannot move. She’s stuck, indefinitely, living on Camano Island, over 60 miles from the city where she’d like to be.
As other people board the bus, I look at their faces. The daily commute of over four hours makes many of them look like zombies. How many do it because they want a good-paying job, lots of money and nice things? Or is the story more complex? Perhaps, like the lady at my bus stop, the reason involves other people’s lives and feelings.
She saves the seat beside her for a friend, and the two of them catch up on the day’s news before turning to their respective magazines. She’s always smiling, always cheerful. Starting at the end of the bus line, she has the longest commute, but she doesn’t look like a zombie. That’s what comes of making the best of it.
Mention the phrase “haunted house,” and immediately, people start thinking of an old, deserted place with rotten floors and boarded-up windows. Then, just add a resident ghost to rattle the window panes and rearrange the dust covers.
If the ghost is fond of actually disturbing people, though, he or she would probably prefer a huge, funky old mansion, like a B&B where we once stayed. The owner of the place was really proud of her ghost. “I’d like some more coffee” was likely to get a response of, “Did I tell you about the ghost?” If you asked, “May I have an extra towel?” she’d say, “Did I tell you about the ghost?” The woman not only obsessed on the existence of the ghost, she thought that every person who came to her inn was fascinated by it. We were not.
In this life, most people have a penchant for getting ahead, having the nicer things in life. So why not ghosts, too? Why stick with abandoned houses or inns run by crazy ladies, when you could have satellite TV and high-speed internet?
That’s the kind of place where Barry and I are house-sitting right now. The house is in a very suburban neighborhood, a cul-de-sac kind of place. I was afraid to take a walk in the neighborhood yesterday without a trail of bread crumbs, or at least, my pet GPS, because the streets are not laid out in a logical grid. I thought I might get lost, return to the wrong house, and be mistaken for a burglar. I can picture the headline: “Seattle burglar mauled by 200-pound Redmond mastiff.”
Most of the houses around here date back to the 1980’s or 90’s, They have two-car attached garages, soaring ceilings, at least three bedrooms, and many bathrooms. The interiors are beautiful; through the windows I see leather sofas, antique end tables, and breakfronts full of sparkling glassware and china.
Walking along, I found myself wondering: How many of these houses are haunted? Or at least, how many others, besides the one where we’re staying?
We were having dinner the other night with Geoff, the high-school senior who lives here, and he brought it up. He told us the front door opens spontaneously, when it’s tightly locked. There have been unexplained footsteps, cold chills, and strange shadows. Things fall over when nobody is touching them.
I was politely incredulous. Why would a ghost bother haunting such a normal, average suburban house? And if it really was true, why hadn’t Geoff’s parents mentioned it when they gave us the key? A simple warning would have sufficed, something like, “Trash pickup is Thursdays, and don’t mind the ghost.”
Two nights ago, I was getting ready to go to bed around 1 am, but I could hear water running. It was awfully late for Geoff to be awake on a school night, but Barry was sitting next to me, so it had to be Geoff. Barry thought maybe a toilet was stuck running, so he went downstairs to see.
He walked into the half-bath and found the hot water tap on, full blast. It had been on for long enough to steam up the mirror. I asked the logical question: “Was there a message written on the mirror?” Barry shook his head. “I did not see one. I, uh, did not look carefully.” By which I think he means he was freaked out by his first encounter with the supernatural, and he turned off the water and came upstairs as fast as his little feet would carry him.
It could only have been the ghost. I know this family is famous for their humor and their practical jokes — things like putting Kool-aid in the showerhead so the water comes out green. But turning the hot water tap on at 1 am isn’t particularly scary, or funny. It’s just weird, and that’s the kind of stuff ghosts do.
Since I don’t know what weird things the ghost will do next, I’ve been a little less keen on walking around this house in the dark. I don’t know what I’m scared of. I just don’t want to bump into something I can’t see. Not that I could see the ghost if the light was on, either!
I finally had a chance to ask Pat, Geoff’s mother, about the ghost. She ticked off a number of things they’d attributed to it — mostly things her son had mentioned, but also a creepy incident that happened in the bed Barry and I are sleeping in. Still, she added, “It doesn’t freak out the cat or the dog, so I’m sure it’s OK.”
The cat’s sleeping on our bed as I write this. He’s purring loudly, either oblivious to the ghost, or merely unperturbed by it. I’ll take a page out of his book, and not let it bother me. And if I see any signs of the ghost, I’ll let him know he’s welcome to surf the internet on my computer. That’s as long as he — or she, or it — waits until I’m done writing this article. In the meantime, he can sit in the comfy leather chair, put up his feet, and watch some satellite TV.
Once upon a time, Barry and I threw a party and nobody came. Actually, two people showed up, but we had invited over fifty. It was a crushing blow. For weeks, we ate the leftover food and drank coconut-rum punch and wondered what went wrong.
Part of the problem is that parties have become so casual, with huge blind-copied e-mail invitations, that nobody takes them seriously. Most parties we’re invited to are potlucks or barbecues, with the food served buffet-style. More people? More paper plates and plastic forks. Fewer? Save the plates and forks for the next party.
And then there’s E-vite. It’s sort of nice to be able to see the whole party list — who’s invited, who’s responded. But by the same token, it engenders a kind of rudeness. Instead of taking the invitation at face value, as a gift from the hosts, you analyze the list to see if it’s worth your while to attend. You respond with a “maybe,” then change your mind based on other people’s responses. Maybe I’m old-fashioned, but I think that’s impolite.
The truth is, even a casual party requires setup and planning. That’s a real nightmare if none of your guests will commit.
Thinking back on memorable parties, the smaller, more intimate ones come to mind. A going-away party for our friend Doug was especially memorable — Michelle cooked a beautiful multi-course meal and served it on matching china to twelve lucky guests, all seated at the same table. Invitations to special parties like that come by telephone or handwritten note, not by e-mail. Such invitations are highly prized, and you wouldn’t think of blowing them off, or failing to RSVP.
When we started entertaining in Seattle, we started small. At our first dinner party, we invited two friends to share some Maine lobsters that we’d ordered. When the lobsters failed to materialize, we made homemade pizza, then rescheduled and had a second party, with lobster, two weeks later. Later, we tried having a generic party, but it was blah. We needed a fun activity to give it some pizzazz.
That’s how the White Elephant parties began, and they ran for many years. Each year, they got crazier and bigger. Barry discovered how easy it was to throw a turkey on the barbecue grill, so that became the central menu item. He’d take it off the grill as the party was getting in full swing and plop it on a platter in the middle of the table, next to a carving fork and knife. Then he’d walk away.
The guests would stand around, looking puzzled. “Who’s going to carve the turkey?” they’d ask. Finally, someone who couldn’t stand to wait any longer would just pick up the knife and start carving away. And Barry and I would give each other a high-five, since we knew how to cook a turkey, but didn’t want to admit that carving it was beyond us.
We don’t have our huge party space any more, but we still love to entertain. That’s where the smaller gatherings come in. Barry’s parents cohosted several gatherings with us at their house, which is the perfect place for parties, with an open living room, dining room, and kitchen. We even hosted a tiny party in our 30-foot trailer. (It works fine, as long as all the guests stay seated and don’t move.) When the weather gets nice, I’m looking forward to hosting a picnic at some pretty park. We even have friends who will let us co-host a party at their Seattle home.
The key, for me, it to make each gathering small and unique. Let people know that they are the special invitees for this party. I won’t ask them to bring anything — I like to cook for my friends. It’s not even a time issue: I once got home from work at 5:30, threw the ingredients for minestrone into the pressure cooker, and served dinner to eight people an hour later.
There are lots of wonderful big parties with huge crowds and groaning tables covered with potluck dishes. I hope my friends continue to invite me to them! But for now, I will return their generosity with invitations to smaller, more intimate gatherings. I hope we all have a good time. And I sincerely hope to never again throw a party where nobody comes.
I’ve always loved to read good poetry. In college, I read serious stuff, like “The Love Song of J. Alfred Prufrock.” I mooned over lyrical phrases, like,
“I should have been a pair of ragged claws
Scuttling across the floors of silent seas.”
Later, I saved all the letters from my dear friend, Elizabeth Bolton, because so many of them included her original poetry. Her posthumously published book Lost Farm included a favorite of mine and Barry’s, Fowl Language, with seven hilarious stanzas like this one:
Even a hen doesn’t need much luck
To communicate exactly with a squawk and cluck
Yet if you notice what a hen must endure
You won’t be surprised that her words aren’t pure
And in Dawson City this summer, I reveled in the sing-song poems of Robert Service. In my lifetime, I couldn’t imagine a best-selling author known to everyone in the U.S. writing poetry. Perhaps his success was more akin to today’s country songwriters, with stanzas like,
Till I came to the marge of Lake Lebarge,
And a derelict there lay;
It was jammed in the ice, but I saw in a trice
It was called the “Alice May”.
And I looked at it, and I thought a bit,
And I looked at my frozen chum;
Then “Here,” said I, with a sudden cry,
“Is my cre-ma-tor-eum.”
Still, my own notebooks are full of scribbled prose, not poetry. Wait, wait, you might cry — what about the limericks?
A form of madness
When my mind is quiet, especially in dark hours when I can’t sleep, a line for a limerick comes into my head. Instead of counting sheep, I start going through the alphabet to find words that rhyme. Like popping corn, the words jump around in my head until a couple of pieces match. Suddenly, it all clicks into place, and I have to turn on the light and write it down before it escapes.
This limerick madness that possesses me happened unexpectedly, and it continues to amaze me. Since February 2003, when my first one bopped me on the head, I have written over 100 limericks. The actual milestone slipped by, unnoticed — at last count, I found 106 originals on my website, plus about a dozen inspirational guest submissions.
What keeps me awake at night these days, though, is anapestic meter. Most folks who write limericks follow the basic rhyming structure: AABBA. But a true limerick has proper meter: “dah-DAH-dah-dah-DAH-dah-dah-DAH-dah.” You know it when you hear it, as in:
There once was a girl from Nantucket.
I’ve found, however, that I am not alone. There are other limerick-writers on the Web, and my favorite site is the Omnificent English Dictionary in Limerick Form. Lately, my own site has suffered, as I’ve been sneaking over there to submit my pieces. They actually have editors who will pick apart a limerick with lousy meter. Hence this new preoccupation with anapestic meter.
I sent them last year’s Christmas special that defined agnostic, and it got some good feedback. More recently, I’ve submitted limericks for the words aghast, Andouille, benefice, and black-eyed pea. Just a couple of hours ago, inspiration struck, and I wrote one of my most clever bits yet, a definition of the word anusless. That one’s not visible yet, but I hope it will be soon.
If you’re looking for a good time, be sure to bookmark the OEDILF site. And I promise, when I’m not writing essays, recipes, or food pieces (I started a new feature on mepsnbarry.com, “The Foodie Gazette“), I’ll be writing the old AABBA. In my sleep.
There once was a girl with a pen
Who wrote a few lines now and then
But at night in her bed
She would cower in dread
From that terrible limerick yen.
About 15 years ago, when my mother was alive, Barry and I were helping move some furniture in a new condo my parents bought in Sebastian, Florida. My mother sat on the bed and looked out the window at the Indian River view.
“We need to move the bed over this way,” she said, frowning. “Then I won’t see those dreadful shacks when I wake up in the morning.”
Puzzled, Dad walked over to the window and peered out at the small houses next door. “What’s wrong with those?” he asked. “That’s Old Florida!”
In my family, Old Florida is a catch-all term for everything about Florida that is charming, funky, and more than 10 years old. It is the antithesis of condos, mega-houses, shopping malls, and new construction. A moldy pink house with jalousie windows — that’s Old Florida. A restaurant where the waitress calls you “Hon” — that’s Old Florida. Funny little towns like Pahokee, on Lake Okeechobee — that’s Old Florida.
My Dad is an expert on Old Florida. He was telling me about a restaurant the other day, a place where they serve frog legs and swamp palm soup. “It’s Old Florida,” he said. It was enough of a description for me.
Actually, my Dad, himself, is Old Florida. Despite his distinguished career and the journalism textbooks he’s published, he wears shoes with holes in them and sweatstained floppy hats. Sometimes, he calls waitresses “Sweetie.” He tells stories about growing up in Miami without any shoes or shirt, shinnying up trees to get coconuts, and climbing neighbor’s fences to steal avocadoes. He used to swim off the Million Dollar pier, wearing a homemade snorkel and a mask made from an inner tube and a piece of round window glass.
Dad had a list of errands to run the other day, normally something I’d try to avoid. But my ears pricked up when I heard he was going out to Peterson’s Groves to “buy some citrus.” I wasn’t the only one. When Dad headed out to run his errands, Barry and Joy and I all piled into the car.
Peterson’s is Old Florida.
Drive out to the edge of rapidly-growing Vero Beach, past the shopping mall and the stark new developments hidden behind long concrete fences. On 66th Avenue, look for the hand-painted sign in the old wagon. When you turn down the sandy drive, you’ll be transported to another place and time.
In the center of the property is a cluster of ramshackle barns and chicken houses, a packing house, and a ton of kitsch. Before he’d even parked, Dad fell in love with a lifelike plastic goose perched on a piece of rusty farm equipment. I hopped out of the car and immediately went to say hello to the goats and pigs. “Look who made it through Thanksgiving,” said Dad, pointing at a huge turkey. We wandered through the chicken house and took pictures of the peacocks. “Guinea fowl!” called Barry, upon hearing the rusty pump squeak of one of his favorite critters.
We walked along the edge of the orange grove, next to a little fenced pond full of waterfowl. An obnoxious goose scolded us at the top of his lungs, but the ducks who shared the pen ignored him. On our right hand were the orange trees, not too tall, their branches laden with green citrus fruit.
On the store’s long covered porch, we found our goal: Wooden bins of oranges and grapefruits and bushel bags to pack them in. Prices were marked on blackboards or cardboard signs. A nearby galvanized bucket offered sunflowers for sale. Two cats lounged at our feet, got into a brief catfight, and streaked off in different directions.
We went inside, where juicy samples sat on the counter next to coconut candies, pralines, and candied orange peel. A broad-shouldered older man behind the counter was eating fruitcake out of a cardboard box, and he offered us a piece. Despite my love of fruitcake, I declined. I had just picked up a sample piece of grapefruit, and I was busy getting grapefruit juice all over his merchandise. A long-time customer, Dad addressed the man as “Mr. Peterson.”
I drifted towards the back of the store, past shelves of marmalade and jam and orange air freshener. The further back I went, the dustier the merchandise became. There were alligator heads and glass frogs and cheap plastic magnets that said Vero Beach, Florida. Seashell windchimes dangled from the ceiling. My favorite items were the starfish wearing tiny sunglasses, painted with polka-dotted bikinis.
Whenever I go into Peterson’s, I think I should buy a lot of stuff, because that will help preserve this bastion of Old Florida. Then I look more closely at the tawdry merchandise and decide the best thing to buy is oranges and grapefruits, and maybe a jar or two of jam. Luckily, Mr. Peterson has been expanding into some vegetables, and on this trip, we picked up some cherry tomatoes and a lovely kohlrabi. When we commended him for his lovely eggplant, he said, gruffly, “I have to diversify.”
I’m sure Mr. Peterson has been invited to sell his property to developers for lots of money. I’m glad he’s holding out, and I tell myself it’s practical: Somebody in the United States has to grow oranges and tomatoes and kohlrabi; we can’t import all our food from Chile and New Zealand. But baby goats and peacocks and ramshackle buildings are not practical. They’re the last vestiges of Old Florida, and thank goodness someone, not just Dad, is preserving it.
Last Saturday, we drove to the beach to visit our friend Joy and swim in her pool. On the way, we stopped at my Dad’s former beachfront house to see how it looked. The mansion next door was for sale, so I jumped out to pick up a flyer.
The pricetag, $7.9 million dollars, was enough to make me gasp. But I was more disgusted by the thought of a 5-bedroom house with over 8300 square feet of space. “Give me a break,” commented Barry, “They call it a single-family dwelling!”
We were still grumbling about it when we reached Ocean Resorts, where Joy lives. As we turned into the park, for it’s considered a “mobile home park,” I found myself wondering who was happier: The residents of Ocean Resorts, who live in homes ranging from 240-square-foot trailers to modest 1100-square-foot houses, or the owner of that mansion?
Ocean Resorts wins that contest, hands down.
Started as a campground in the 1920’s, Ocean Resorts has a friendly family feeling to it. It’s not just for seniors, and people who live there know each other and look out for each other. Last year, 150 of the 400 homes were destroyed in Hurricanes Jeanne and Frances, but most of the residents are rebuilding and returning.
Joy is one of them, replacing the manufactured home that was destroyed in Frances with a charming 2-bedroom house made of concrete block and stucco, or CBS. Joy also introduced us to Marilyn, who had left for Hurricane Jeanne and then heard that her house was on fire from a fallen transformer.
“We called the fire department, but there was nothing they could do. The island had been evacuated. Why didn’t they turn the power off?” Five homes were totally lost in the fire.
Before the fire, Marilyn’s home had been full of her frog collection, with frog art everywhere. “She even had frogs on her towels,” commented Joy. Marilyn and her husband, who spend half the year in New Hampshire, bought a new manufactured home for their Ocean Resorts lot. “Every friend who comes through the door brings me a new frog!” she laughed.
We spent hours at the pool that day, and Joy seemed to know everyone there, jumping up to hug many of her friends.
I snoozed in a chaise lounge after my swim, listening to the surf and feeling the warm sun. I was almost asleep, not really listening to Joy and Dad’s quiet conversation, when I heard something of interest.
“Hmm,” I thought. “I heard her say treasure ship…but was it in Central America, or the Central America?” Just in case, I had to interrupt and ask.
Joy pointed out an older lady in a purple bathing suit. “Her son was the one who got all that gold from the ship, the Central America. That’s Phyllis Thompson.”
Now I was wide awake. “Ooh! Can you introduce me?”
It was only a month ago that I had galloped my way through the excellent book, Ship of Gold in the Deep Blue Sea. It is the behind-the-scenes story of Tommy Thompson and the crew who raised the gold from the famous steamship, the Central America. One of the members of the crew, Alan Scott, belongs to our Seattle sailing club, and his presentation last year got me interested in the book. When I read it, I discovered that much of the preparation for the project was done in Columbus, Ohio, about a block from where I lived at the time. Now, in another amazing coincidence, Tommy Thompson’s mother was here at the pool.
We walked over to chat with Phyllis, who told us that her son had a place in nearby Vero Beach, “But he’s not there very much. He’s on his 29th lawsuit.” Sadly, the raising of the gold from the Central America also brought up a number of sharks — most of the money made from the gold was lost to lawsuits against insurance companies who claimed they had rights to it.
When I mentioned that we knew Alan Scott, she was delighted. “I haven’t seen him in years! When you see him, give him a hug and a kiss from me!”
Joy told us that Phyllis has her own share of gold — she won a number of medals while they were on the senior swim team.
We had a wonderful day, walking and swimming and meeting Joy’s friends. Even people she didn’t know (and there were few) smiled and waved. What kind of people live in such tiny homes, just a few feet away from each other? People who realize that happiness isn’t 8300 feet to yourself and a big gate to keep the rest of the world out. For the folks at Ocean Resorts, and many of the rest of us, happiness is about community.